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Re-enchanting the Human in the Age of AI: 5 Irreplaceable Human Beings

ByRichelle SteynJul 25, 20254 mins

What AI can simulate, these humans embody: fragility, risk, truth, and sacred meaning.

Designing a Regenerative Cultural Economy

ByRichelle SteynJun 23, 202516 mins

“When values-aligned actors begin to acquire digital works from the Art Stoke Commons ecosystem, they don’t just support individual artists – they validate a new logic of cultural production. Each successful Hive becomes a proof-of-concept. Each replication, a new node in a growing network of islands of coherence. If it works in South Africa where the wounds of inequality and…

Why South African Digital Art Needs Its Own Space

ByRichelle SteynJun 9, 20254 mins

“In a country where the need to rewrite the past is still urgent, digital art should not be reduced to tokenized pixels. It should be part of a national cultural ecosystem that allows truth, disruption, and ordinary complexity to emerge.”

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Beeple and the NFT “Everydays: The First 5000 Days”

ByRichelle SteynAug 6, 20232 mins
The sale of “Everydays: The First 5000 Days” marked a significant moment in the NFT art world, not only for its historic price but also for the recognition of digital art’s value and the transformative potential of NFTs. The artwork encapsulates Beeple’s dedication to creativity and his innovative use of digital platforms to share his art with the world.

Imagining Otherwise Under Conditions of Impunity

ByRichelle SteynJan 2, 20266 mins
“Capitalism does not merely constrain change; it organises which forms of suffering matter, which legal rulings are enforced, and which crimes are indefinitely deferred. It functions as a selective enforcement regime, shielding actors embedded in military, financial, and diplomatic infrastructures from consequence.”

Timekeepers of the Anthropocene: Digital Art in the Grammar of Ancestral Time

ByRichelle SteynNov 24, 20254 mins
Tewame Tiyolicha Kawitl: Timekeepers of the Anthropocene (invites us) to rethink how we hold time, and how digital art might become a vessel for repairing its ruptures. The colonial and industrial eras (of the Anthropocene) imposed a linear, extractive temporality—one that measures productivity rather than reciprocity, acceleration rather than attunement. It is this regime of time .. that has destabilised the planet’s climate and our collective nervous system.
Art Stoke Commons Public Goods for collective impact and systems change using decentralised frameworks
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