"Capitalism does not merely constrain change; it organises which forms of suffering matter, which legal rulings are enforced, and which crimes are indefinitely deferred. It functions as a selective enforcement regime, shielding actors embedded in military, financial, and diplomatic infrastructures from consequence."
"Nice Aunties’ work hints at a future for digital art that is more human, more ritualised, and more ancestrally grounded. Cobb and Slattery provide the philosophical scaffolding; Khoi and San traditions offer the ethical and imaginal inheritance; dream technologies, fictional or real, show how images are medicine. What emerges is a powerful proposition: digital art can become a contemporary dream cave—an imaginal commons for healing, memory, and cultural repair."
Tewame Tiyolicha Kawitl: Timekeepers of the Anthropocene (invites us) to rethink how we hold time, and how digital art might become a vessel for repairing its ruptures. The colonial and industrial eras (of the Anthropocene) imposed a linear, extractive temporality—one that measures productivity rather than reciprocity, acceleration rather than attunement. It is this regime of time .. that has destabilised the planet’s climate and our collective nervous system.
In a media landscape where the journalists are gone, the platforms are captured, and the truth is a liability, even a machine’s momentary gasp of honesty is worth archiving.
If the 20th century taught us to be literate, the 21st must teach us to be perceptually sovereign. In an era where belief is engineered and perception curated, our deepest freedom lies in our ability to hold the line between story and truth, between being moved and being manipulated.
Are some post-anthropocentric movements — from mycelial networks to rhizomatic thinking, biomimicry to planetary intelligence — bypassing cultural healing by retreating into nature metaphors?
"This article explores the difference between climate education and climate indoctrination, the impact of fear-based messaging on the youth, and why understanding the climate crisis through the lens of polycrisis might lead us to more empowering cultural responses.”
On Jan 3, 2009, Satoshi embedded this headline in Bitcoin’s very first block:
“The Times 03/Jan/2009 Chancellor on brink of second bailout for banks.”
This wasn’t just a timestamp—it was a message. A warning. A mission.
This is not an argument against education—but against its hollowing out. Against the idea that credentials equal credibility. Against the polite and polished consensus that keeps us circling the same failing paradigms.
As Generation Z continues to influence the cultural landscape, the digital realm offers limitless possibilities for artistic expression, collaboration, and innovation. The fusion of technology with creativity is not just a trend - it represents a fundamental shift in how art is experienced and valued. By embracing digital platforms, artists can reach global audiences, challenge traditional boundaries, and contribute to a more inclusive and socially conscious art world. The future of art is digital - dynamic, diverse, and deeply connected to the evolving pulse of our time.