"Capitalism does not merely constrain change; it organises which forms of suffering matter, which legal rulings are enforced, and which crimes are indefinitely deferred. It functions as a selective enforcement regime, shielding actors embedded in military, financial, and diplomatic infrastructures from consequence."
"Nice Aunties’ work hints at a future for digital art that is more human, more ritualised, and more ancestrally grounded. Cobb and Slattery provide the philosophical scaffolding; Khoi and San traditions offer the ethical and imaginal inheritance; dream technologies, fictional or real, show how images are medicine. What emerges is a powerful proposition: digital art can become a contemporary dream cave—an imaginal commons for healing, memory, and cultural repair."
Tewame Tiyolicha Kawitl: Timekeepers of the Anthropocene (invites us) to rethink how we hold time, and how digital art might become a vessel for repairing its ruptures. The colonial and industrial eras (of the Anthropocene) imposed a linear, extractive temporality—one that measures productivity rather than reciprocity, acceleration rather than attunement. It is this regime of time .. that has destabilised the planet’s climate and our collective nervous system.